a second glance at ATLAS SOUND
I’m listening to Atlas Sound’s album “Bedroom Databank: Volume 2” and leaning recumbent in an office chair. My head falls back as acoustic sounds progress, (opportunistically) like a snow flurry (on a day filled with love) turning into a beautiful blizzard for hours and hours. It turns electronic.
The energy keeps me happy, seeing stars and moonshine, feeling warm, under a jacket and earmuffs, gloves, hat and scarf. I dust my mind and recognize the blatant indie-rock “-ness” of my situation, and begin to focus like a good Grizzly Bear song on the meaning of it all.
Being inebriated (and alone) is an unusually Zen experience while listening to some of this music; I think freely and do what I want.
On beaches at night, the plaid-wearing hipsters could lay around bonfires enjoying a good conversation, and/or resting before sleep, looking up at the stars, wondering how this music’s still on with only one man (Bradford Cox) playing all the instruments. I often thought of MGMT, Washed Out, and Panda Bear.
The vocals stood out among all of his instruments, along with the bass guitar; I really liked the sound and style of both. I also really liked “Here Come the Trains” at the end, a great example of what his project is all about. It’s enough to get me looking into his other work. Overall I enjoyed the album very much, and await another production.
I found this song shortly after discovering Atlas Sound, and thought you’d like it. Enjoy!